Editing Myths: What I Wish Writers Knew About the Editing Process

When you think about editing, what comes to mind? Is it a red pen slashing through paragraphs? Endless grammar corrections? Or maybe an editor who turns your story into something unrecognizable? If so, you’re not alone—there are plenty of misconceptions about what editors do, what the process entails, and how it can truly elevate your writing.

In this post, I want to address some of the most persistent myths about editing and provide insight into the reality of the process. As someone who’s been on both sides of the editor-writer relationship, I’ve learned a lot—sometimes the hard way—about what editing is (and isn’t). Let’s bust some myths together.

Myth #1: Editors Will Rewrite Your Work

One of the most common misconceptions is that editors will rewrite your manuscript for you. In reality, editing is about collaboration. Developmental editors like me focus on helping you sharpen your story’s structure, characters, pacing, and themes. I might suggest ways to deepen your protagonist’s arc or tighten the pacing in the middle chapters, but I’m not here to overwrite your voice or take creative control.

Good editing enhances what’s already there; it doesn’t replace it. Your voice, your vision, and your story remain front and center.

Myth #2: Editing Is Just Proofreading

Many writers assume editing is purely about catching typos or fixing grammar. Not all editing is the same, and understanding the types of editing available can help you determine what your manuscript needs.

• Developmental Editing: This is the big-picture edit. It focuses on structure, pacing, character development, plot coherence, and themes. A developmental editor helps you shape your story into its strongest possible form.

• Line Editing: Here, the focus shifts to style, flow, and clarity. A line editor ensures your sentences are sharp, your voice is consistent, and your prose is engaging.

• Copy Editing: Often confused with line editing, this stage focuses on grammar, punctuation, syntax, and word usage. It’s about polishing the technical details to ensure your manuscript is clean and professional.

• Proofreading: The final stage of editing, where a proofreader catches any lingering typos, formatting errors, or minor inconsistencies before publication.

Each type of editing serves a unique purpose, and understanding these distinctions can help writers target the areas where they need the most support.

While proofreading and copyediting are essential stages, developmental editing is about shaping the story itself. It’s about asking questions like:

• Is the opening engaging?

• Do the character motivations make sense?

• Are the stakes high enough to keep readers invested?

By focusing on the big picture, developmental editing ensures your story resonates emotionally and holds together logically. Think of it as building a strong foundation before decorating the house.

Myth #3: An Editor Will "Fix" Everything

Here’s a truth I wish every writer knew: editing doesn’t magically fix a manuscript. It’s a process—a back-and-forth exchange of ideas, revisions, and refinements. While I can guide you, point out weak spots, and suggest solutions, the work of rewriting and implementing changes ultimately falls to you.

This partnership is one of the reasons editing can be so rewarding. By the end, you’ll not only have a stronger manuscript but also a better understanding of your craft.

Myth #4: Editors Are Harsh Critics

Let’s address the fear many writers have: that editors will tear your work apart or tell you it’s hopeless. In truth, most editors want nothing more than to help your story shine. I approach every manuscript with respect and excitement. My goal is to offer constructive feedback that empowers you to make your story the best it can be.

Yes, I’ll be honest about areas that need improvement, but I’ll also celebrate what’s working. Editing is about building you up, not breaking you down.

A Personal Note: My Own Journey as an Editor

When I first started editing, I thought I had to be all things to all people. I took on projects that didn’t excite me, and I tried to master every type of editing—proofreading, copyediting, developmental editing—you name it. But while I learned a lot, I didn’t love all parts of the process. It wasn’t until I took a step back and asked myself what I truly enjoyed that everything clicked.

For me, the magic has always been in developmental editing: helping writers shape their stories, deepen their characters, and clarify their vision. Once I focused my business on the part of editing I love most, I grew stronger in those areas and found so much more joy in my work.

So, if you’re a writer struggling to find your footing or an editor feeling stretched thin, my advice is this: focus on what you love and build from there.

A Challenge for You

If you’ve been hesitant about editing or unsure how to start, here’s a challenge: pick one section of your manuscript—a scene, a chapter, even a single paragraph—and approach it like an editor.

Ask yourself:

• Does this section advance the story?

• Are the characters’ motivations clear?

• Is the pacing engaging?

• Could the language be sharper or more evocative?

Try making small changes to strengthen it. You might be surprised by how much clarity this exercise brings to your overall story.

Final Thoughts

Editing isn’t about perfection; it’s about progress. It’s about taking a story that’s already brimming with potential and helping it reach new heights. Whether you’re tackling revisions on your own or partnering with an editor, remember that every step forward is a step toward the story you want to share with the world.

If you’re ready to dive into the editing process but feel you’d benefit from a partner in your corner, I’d love to help. As a developmental editor, I specialize in working with writers to refine their stories, strengthen their characters, and bring their vision to life. Feel free to reach out to learn more about my services—I’d be honored to be part of your writing journey.